Yesterday, HBO announced that it had 800,000 subscribers on its standalone streaming service, HBO GO. CEO Richard Plepler was optimistic: “I wouldn’t say only 800,000 subs,” Plepler said in a response to an analyst who had used the word “only” in his question. “We’re just getting started. … I think we’re going to make a lot … Continue reading HBO’s Numbers
It seems as though the television landscape has become increasingly cynical, or at least as far as Washington is concerned. Idealistic shows like The West Wing have been replaced with jaded programming that seeks to paint Capitol Hill in either darker, more sinister colors – as in House of Cards – or lighter, absurd tones, like in Veep.
Not sure what tries my patience more – the length of the teaser, or the length of time between now and February 14th. Film noir feel? Check. HBO-ness? Check. Canceled Valentine’s Day Plans? You bet. Continue reading House…of…Cards…Returns…
Netflix’s new series House of Cards is a clear attempt to craft a show to rival broadcast favorites like AMC’s Mad Men or HBO’s Game of Thrones – or anything HBO has produced, for that matter. While many broadcast networks seek to produce reality television, talent contests, or chipper comedies, cable networks – most especially the aforementioned three-letter networks – have hollowed out a niche in high quality programming that focuses on character development and period set-design, achieving a result closer to film than traditional television. And in most ways, House of Cards is a fitting entrant to the ranks.