A Dark Side of the White House

ImageNetflix’s new series House of Cards is a clear attempt to craft a show to rival broadcast favorites like AMC’s Mad Men or HBO’s Game of Thrones – or anything HBO has produced, for that matter. While many broadcast networks seek to produce reality television, talent contests, or chipper comedies, cable networks – most especially the aforementioned three-letter networks – have hollowed out a niche in high quality programming that focuses on character development and period set-design, achieving a result closer to film than traditional television. And in most ways, House of Cards is a fitting entrant to the ranks.

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Fiber in the Diet

Yesterday, internet services company Akamai released its annual “State of the Internet” report, which tracks the various changes in internet speeds and penetration across the globe. When it came to broadband speeds, the US pulled in at 14th place, behind smaller countries such as Germany and South Korea. Before the alarmists clamor about the loss … Continue reading Fiber in the Diet

The Future is in Your Queue

netflixThere is a great metric by which companies’ success can be measured. Effectively, if the name of a corporation’s good or service becomes interchangeable with the product category as a whole, the company’s product – or at least its marketing – is probably pretty successful. Older examples would be the use of the word “Xerox” as a verb, or “Kleenex” as a catchall for tissues. In our generation, the use of “Google” as a verb is likely the best example.

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The New Hollywood Code, Part II

zero-dark-thirty-wallpapers-eIn light of our post last week on the collusion between Hollywood and Beijing, I figured that it might be worth addressing a recent critique of the film industry.  Three senators, as well as a handful of Hollywood stars, have voiced objections to Zero Dark Thirty‘s depiction of torture as being a useful means of extracting the information that lead to the elimination of Osama Bin Laden. The senators, all past or present members of the Select Committee on Intelligence, admit that although the film is a work of fiction, “the people who see Zero Dark Thirty will believe the events portrayed in it are facts. The film therefore has the potential to shape American public opinion in a disturbing and misleading manner…you have a social and moral obligation to get the facts right.”

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The New Hollywood Code

ImageThere is a fascinating article in The New York Times that explores the increasing level of coordination between Hollywood studios and Chinese censors. The studios – like all other industries – want access to China’s vast population, which has newfound disposable income and a greater desire for Western entertainment and material goods. But the Chinese government rigidly filters what elements make their way into theaters, generally censoring extreme sex scenes, religious criticism, and lukewarm sentiments about China itself. These limitations are unsurprising, given the government’s ban on pornography, wariness of religion, and repressive maintenance of a positive national image.

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The Shotgun

I’ve written about Samsung’s shotgun approach to production vis-a-vis the Note – a different strokes for different folks view, as opposed to Apple’s one size fits all philosophy – and, over at Slate, Farhad Manjoo reiterates as much. Hit up the link for more. Continue reading The Shotgun